LizPR

Orchestra’s surprising encore a perfect fit

REVIEW  |  07.24.08  | Philadelphia Inquirer

Choosing an encore can be a squidgy business, and on a night such as Tuesday at the Mann Center, with the air still vibrating from a voluble Tchaikovsky Piano Concerto No. 1, pianist Jon Kimura Parker offered exactly what was least expected: a quiet Joplin rag called Solace.

It was a risk. The Mann’s lawns were thickly populated for the Philadelphia Orchestra’s annual all-Tchaikovsky program and fireworks – or rather, fireworks and all-Tchaikovsky – and crowds were already milling about when Parker started his encore.

But Solace‘s contemplation, it turns out, was just what this moment needed. For three or four minutes, a bittersweet rag served as a compelling foil to the brass fanfares and cannon blasts of the rest of the evening. Continue reading

For One Night, a Feeling of Caramoor on the Seine

Alisa Weilerstein, Cello

REVIEW  |  06.23.08  |  The New York Times

Almost as soon as American music was weaned of its early dependency on German models it developed an adolescent crush on France. George Gershwin, of course, celebrated the allure of Paris. The relationship was consummated by the influential pedagogue Nadia Boulanger and her distinguished line of American students, chief among them Aaron Copland.

Inspired by this historical connection, pieces by Gershwin, Copland, Leonard Bernstein and the French composer Gabriel Fauré – grandfathered in for having taught Boulanger – were strung together for the opening concert of the Caramoor International Music Festival on Saturday night. The title of the program, “Americans in Paris,” was something of a stretch given the pieces included.

There was a more significant theme lurking in this performance by the Orchestra of St. Luke’s, though admittedly one not as readily adapted for a gala dinner and post-concert party. Of the three soloists, two – the cellist Alisa Weilerstein and the clarinetist Igor Begelman – were students in Rising Stars, Caramoor’s mentor program, founded in 1992 as a way for promising young players to work with seasoned professionals. The third, the pianist Jon Kimura Parker, was a Rising Stars mentor. Continue reading

 

 

"Mr. Parker was an insightful, energetic soloist...the audience roared in approval."
-The New York Times

 

 

“absolutely top-notch music-making, as fine as one could ever expect to hear…they (the Montrose Trio) are poised to become one of the top piano trios in the world.”
-Washington Post

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